Can you believe the hype? Short answer: Yes.

One of the year’s most offbeat offerings, enhanced by its strong ensemble and craftsmanship.

Eleanor Coppola captures her daughter Sofia Coppola at work on the set of her lavish 2006 historical drama.

Fatherland will surely have a fruitful run among specialized audiences (film lovers, history buffs, literary scholars).

It brings one refugee experience beautifully to light.

La Bola Negra feels like everything cinema can and should be when it dreams big with the right ambition.

A comprehensive, nearly encyclopedic catalog of the wealthiest person on the planet.

Director Georgia Oakley’s sober, naturalistic take comes at the expense of the novel and its author’s intentions.

For those who have seen the film previously, what has been added will be quite noticeable.