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Reviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video![]()
Directed by: Matthew Vaughn. Produced by: Adam Bohling, David Reid & Matthew Vaughn. Written by: J.J. Connolly, based on his novel. Director of Photography: Ben Davis. Edited by: Jon Harris. Music by: Lisa Gerrard & Ilan Eshkeri. Released by: Sony Pictures Classics. Country of Origin: UK. 104 min. Rated: R. With: Daniel Craig, Colm Meaney, Kenneth Cranham, George Harris, Jamie Foreman, Sienna Miller & Michael Gambon.
With its gritty violence, cheeky cynicism and constant twists and turns,
there isn't much to distinguish Layer Cake from other British gangster films of
the last decade. An unnamed drug dealer (Daniel
Craig) is caught in the struggle between high-class crook
Eddie Temple (Michael Gambon) and a sleazy working-class hood, The Duke (Jamie Foreman).
The film posits that drugs are
everywhere, and all the different classes that make up the layer cake of
British society are involved.
Daniel Craig gives a confident performance, and George Harris and Colm
Meaney, who play his two comrades Morty and Gene, are well developed; the
actors show many different sides of their characters.
And naturally, the phenomenally entertaining Michael Gambon electrifies every
scene he's in.
It should come as no surprise that director Matthew Vaughn was the producer
on Lock, Stock and Two Smoking Barrels and its follow up, Snatch. Layer
Cake is at its best during its moments of wit, such as the opening scene
where Craig's character imagines a pharmacy of the future where all drugs
are legal. "Sooner or later they'll realize how much money is in it," he
theorizes. The deadly serious moments, which mostly consist of long shots of
Craig's brooding face, are less effective. It doesn't help that they are set
to the otherworldly music of Lisa Gerrard and Ilan Eshkeri. The score is
more appropriate for something like Gladiator, but here seems
ludicrously out of place. Those who enjoy the slick irony of British crime
films will find much to like here, but others who are looking for a more
innovative entry into the genre will more than likely find the usual wheeling
and dealing and double-crossing somewhat tiresome. Rob Glidden
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